{"id":23684,"date":"2024-12-30T10:02:01","date_gmt":"2024-12-30T15:02:01","guid":{"rendered":"https:\/\/www.davidmswitzer.com\/blog\/?p=23684"},"modified":"2024-12-30T20:58:26","modified_gmt":"2024-12-31T01:58:26","slug":"best-science-fiction-novels-by-year-10","status":"publish","type":"post","link":"https:\/\/www.davidmswitzer.com\/blog\/2024\/12\/best-science-fiction-novels-by-year-10\/","title":{"rendered":"Best science fiction novels by year"},"content":{"rendered":"

Here’s an update to this<\/a> list. I haven’t read any science fiction novels published in 2024 yet.<\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
 <\/td>\nWinner<\/strong><\/td>\nRunner<\/strong> Ups<\/strong><\/td>\n<\/tr>\n
Year<\/strong><\/td>\nAuthor<\/strong><\/td>\nTitle<\/strong><\/td>\nAuthor<\/strong><\/td>\nTitle<\/strong><\/td>\n<\/tr>\n
2023<\/td>\nAnnalee Newitz<\/td>\nThe Terraformers<\/td>\nSue Burke<\/td>\nDual Memory<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMur Lafferty<\/td>\nChaos Terminal<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nAnn Leckie<\/td>\nTranslation State<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nThe Downloaded<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nStarter Villain<\/td>\n<\/tr>\n
2022<\/td>\nRen Hutchings<\/td>\nUnder Fortunate Stars<\/td>\nJulie E. Czerneda<\/td>\nTo Each This World<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMur Lafferty<\/td>\nStation Eternity<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nEmily St. John Mandel<\/td>\nSea of Tranquility<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nThe Kaiju Preservation Society<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nAdrian Tchaikovsky<\/td>\nChildren of Memory<\/td>\n<\/tr>\n
2021<\/td>\nSue Burke<\/td>\nImmunity Index<\/td>\nOrson Scott Card<\/td>\nThe Last Shadow<\/td>\n<\/tr>\n
 <\/td>\nAndy Weir<\/td>\nProject Hail Mary<\/td>\nBecky Chambers<\/td>\nThe Galaxy, and the Ground Within<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMarina J. Lostetter<\/td>\nActivation Degradation<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nAdrian Tchaikovsky<\/td>\nElder Race<\/td>\n<\/tr>\n
2020<\/td>\nAdrian Tchaikovsky<\/td>\nThe Doors of Eden<\/td>\nStephen Baxter<\/td>\nWorld Engines: Creator<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMarina J. Lostetter<\/td>\nNoumenon Ultra<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nNnedi Okorafor<\/td>\nBinti<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nOlga Ravn<\/td>\nThe Employees<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nThe Oppenheimer Alternative<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nThe Last Emperox<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDennis E. Taylor<\/td>\nHeaven\u2019s River<\/td>\n<\/tr>\n
2019<\/td>\nAnnalee Newitz<\/td>\nThe Future of Another Timeline<\/td>\nStephen Baxter<\/td>\nWorld Engines: Destroyer<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nSue Burke<\/td>\nInterference<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKarl Schroeder<\/td>\nStealing Worlds<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nAdrian Tchaikovsky<\/td>\nCage of Souls<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nAdrian Tchaikovsky<\/td>\nChildren of Ruin<\/td>\n<\/tr>\n
2018<\/td>\nSue Burke<\/td>\nSemiosis<\/td>\nBecky Chambers<\/td>\nRecord of a Spaceborn Few<\/td>\n<\/tr>\n
 <\/td>\nClaire North<\/td>\n84K<\/td>\nMarina J. Lostetter<\/td>\nNoumenon Infinity<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKim Stanley Robinson<\/td>\nRed Moon<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nThe Consuming Fire<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nHead On<\/td>\n<\/tr>\n
2017<\/td>\nAnnalee Newitz<\/td>\nAutonomous<\/td>\nStephen Baxter<\/td>\nThe Massacre of Mankind<\/td>\n<\/tr>\n
 <\/td>\nKim Stanley Robinson<\/td>\nNew York 2140<\/td>\nKameron Hurley<\/td>\nThe Stars Are Legion<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMur Lafferty<\/td>\nSix Wakes<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nAnn Leckie<\/td>\nProvenance<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMarina J. Lostetter<\/td>\nNoumenon<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nThe Collapsing Empire<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDennis E. Taylor<\/td>\nAll These Worlds<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDennis E. Taylor<\/td>\nFor We Are Many<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nAndy Weir<\/td>\nArtemis<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nEdward Willett<\/td>\nThe Cityborn<\/td>\n<\/tr>\n
2016<\/td>\nStephen Baxter & Alastair Reynolds<\/td>\nThe Medusa Chronicles<\/td>\nBecky Chambers<\/td>\nA Closed and Common Orbit<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nYoon Ha Lee<\/td>\nNinefox Gambit<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMickey Zucker Reichert<\/td>\nI, Robot: To Preserve<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nQuantum Night<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDennis E. Taylor<\/td>\nWe Are Legion (We Are Bob)<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nConnie Willis<\/td>\nCrosstalk<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert Charles Wilson<\/td>\nLast Year<\/td>\n<\/tr>\n
2015<\/td>\nNeal Stephenson<\/td>\nSeveneves<\/td>\nJulie E. Czerneda<\/td>\nThis Gulf of Time and Stars<\/td>\n<\/tr>\n
 <\/td>\nAdrian Tchaikovsky<\/td>\nChildren of Time<\/td>\nAnn Leckie<\/td>\nAncillary Mercy<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJack McDevitt<\/td>\nThunderbird<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nWill McIntosh<\/td>\nDefenders<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKim Stanley Robinson<\/td>\nAurora<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nThe End of All Things<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert Charles Wilson<\/td>\nThe Affinities<\/td>\n<\/tr>\n
2014<\/td>\nBecky Chambers<\/td>\nThe Long Way to a Small, Angry Planet<\/td>\nStephen Baxter<\/td>\nUltima<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nAnn Leckie<\/td>\nAncillary Sword<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nLock In<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKarl Schroeder<\/td>\nLockstep<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nEmily St. John Mandel<\/td>\nStation Eleven<\/td>\n<\/tr>\n
2013<\/td>\nMatt Haig<\/td>\nThe Humans<\/td>\nStephen Baxter<\/td>\nProxima<\/td>\n<\/tr>\n
 <\/td>\nAnn Leckie<\/td>\nAncillary Justice<\/td>\nWill McIntosh<\/td>\nLove Minus Eighty<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMickey Zucker Reichert<\/td>\nI, Robot: To Obey<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nRed Planet Blues<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nThe Human Division<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert Charles Wilson<\/td>\nBurning Paradise<\/td>\n<\/tr>\n
2012<\/td>\nKim Stanley Robinson<\/td>\n2312<\/td>\nStephen Baxter<\/td>\nIron Winter<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDavid Brin<\/td>\nExistence<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nOrson Scott Card<\/td>\nShadows in Flight<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nTriggers<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nRedshirts<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKarl Schroeder<\/td>\nAshes of Candesce<\/td>\n<\/tr>\n
2011<\/td>\nWill McIntosh<\/td>\nSoft Apocalpyse<\/td>\nStephen Baxter<\/td>\nBronze Summer<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nLaura J. Mixon<\/td>\nUp Against It<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMickey Zucker Reichert<\/td>\nI, Robot: To Protect<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nWonder<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nFuzzy Nation<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJoan Slonczewski<\/td>\nThe Highest Frontier<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nNeal Stephenson<\/td>\nReamde<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nVernor Vinge<\/td>\nThe Children of the Sky<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert Charles Wilson<\/td>\nVortex<\/td>\n<\/tr>\n
2010<\/td>\nConnie Willis<\/td>\nAll Clear<\/td>\nStephen Baxter<\/td>\nStone Spring<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nCixin Liu<\/td>\nDeath\u2019s End<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nWatch<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nConnie Willis<\/td>\nBlackout<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nCharles Yu<\/td>\nHow to Live Safely in a Science Fictional Universe<\/td>\n<\/tr>\n
2009<\/td>\nPaolo Bacigalupi<\/td>\nThe Windup Girl<\/td>\nStephen Baxter<\/td>\nArk<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJulie E. Czerneda<\/td>\nRift in the Sky<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDavid Marusek<\/td>\nMind Over Ship<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJack McDevitt<\/td>\nTime Travelers Never Die<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nWake<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKarl Schroeder<\/td>\nThe Sunless Countries<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert Charles Wilson<\/td>\nJulian Comstock<\/td>\n<\/tr>\n
2008<\/td>\nAlastair Reynolds<\/td>\nHouse of Suns<\/td>\nStephen Baxter<\/td>\nFlood<\/td>\n<\/tr>\n
 <\/td>\nNeal Stephenson<\/td>\nAnathem<\/td>\nStephen Baxter<\/td>\nWeaver<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nOrson Scott Card<\/td>\nEnder in Exile<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJulie E. Czerneda<\/td>\nRiders of the Storm<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nCixin Liu<\/td>\nThe Dark Forest<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDouglas Preston<\/td>\nBlasphemy<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nZoe’s Tale<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKarl Schroeder<\/td>\nPirate Sun<\/td>\n<\/tr>\n
2007<\/td>\nStephen Baxter<\/td>\nNavigator<\/td>\nStephen Baxter<\/td>\nConqueror<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJule E. Czerneda<\/td>\nReap the Wild Wind<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJoe Haldeman<\/td>\nThe Accidental Time Machine<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nBrian Herbert & Kevin J. Anderson<\/td>\nSandworms of Dune<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nRollback<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nThe Last Colony<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKarl Schroeder<\/td>\nQueen of Candesce<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert Charles Wilson<\/td>\nAxis<\/td>\n<\/tr>\n
2006<\/td>\nCixin Liu<\/td>\nThe Three-Body Problem<\/td>\nStephen Baxter<\/td>\nEmperor<\/td>\n<\/tr>\n
 <\/td>\nPeter Watts<\/td>\nBlindsight<\/td>\nJulie E. Czerneda<\/td>\nRegeneration<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nBrian Herbert & Kevin J. Anderson<\/td>\nHunters of Dune<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nThe Android\u2019s Dream<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nThe Ghost Brigades<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKarl Schroeder<\/td>\nSun of Suns<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nVernor Vinge<\/td>\nRainbows End<\/td>\n<\/tr>\n
2005<\/td>\nAlastair Reynolds<\/td>\nPushing Ice<\/td>\nJulie E. Czerneda<\/td>\nMigration<\/td>\n<\/tr>\n
 <\/td>\nRobert Charles Wilson<\/td>\nSpin<\/td>\nJoe Haldeman<\/td>\nOld Twentieth<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKarin Lowachee<\/td>\nCagebird<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDavid Marusek<\/td>\nCounting Heads<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nMindscan<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nAgent to the Stars<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Scalzi<\/td>\nOld Man’s War<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKarl Schroeder<\/td>\nLady of Mazes<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nCharles Stross<\/td>\nAccelerando<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Varley<\/td>\nMammoth<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nPeter Watts<\/td>\nBehemoth Book Two: Seppuku<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nEdward Willett<\/td>\nLost in Translation<\/td>\n<\/tr>\n
2004<\/td>\nJulie E. Czerneda<\/td>\nSurvival<\/td>\nJoe Haldeman<\/td>\nCamouflage<\/td>\n<\/tr>\n
 <\/td>\nJames Alan Gardner<\/td>\nRadiant<\/td>\nAlexander C. Irvine<\/td>\nHave Robot, Will Travel<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nScott Mackay<\/td>\nOmnifix<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nPeter Watts<\/td>\nBehemoth Book One: B-Max<\/td>\n<\/tr>\n
2003<\/td>\nRobert Charles Wilson<\/td>\nBlind Lake<\/td>\nJulie E. Czerneda<\/td>\nHidden in Sight<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nCory Doctorow<\/td>\nDown and Out in the Magic Kingdom<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nWilliam Gibson<\/td>\nPattern Recognition<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKarin Lowachee<\/td>\nBurndive<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nHumans<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nHybrids<\/td>\n<\/tr>\n
2002<\/td>\nStephen Baxter<\/td>\nEvolution<\/td>\nDavid Brin<\/td>\nKiln People<\/td>\n<\/tr>\n
 <\/td>\nRobert J. Sawyer<\/td>\nHominids<\/td>\nJulie E. Czerneda<\/td>\nTo Trade the Stars<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKarin Lowachee<\/td>\nWarchild<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nScott Mackay<\/td>\nOrbis<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJim Munroe<\/td>\nEveryone in Silico<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKarl Schroeder<\/td>\nPermanence<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMichael Swanwick<\/td>\nBones of the Earth<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMark W. Tiedemann<\/td>\nAurora<\/td>\n<\/tr>\n
2001<\/td>\nConnie Willis<\/td>\nPassage<\/td>\nJulie E. Czerneda<\/td>\nIn the Company of Others<\/td>\n<\/tr>\n
 <\/td>\nRobert Charles Wilson<\/td>\nThe Chronoliths<\/td>\nCandas Jane Dorsey<\/td>\nA Paradigm of Earth<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJames Alan Gardner<\/td>\nAscending<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDonald Kingsbury<\/td>\nPsychohistorical Crisis<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nScott Mackay<\/td>\nThe Meek<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nAdam Roberts<\/td>\nOn<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nPeter Watts<\/td>\nMaelstrom<\/td>\n<\/tr>\n
2000<\/td>\nUrsula K. Le Guin<\/td>\nThe Telling<\/td>\nArthur C. Clarke & Stephen Baxter<\/td>\nThe Light of Other Days<\/td>\n<\/tr>\n
 <\/td>\nKarl Schroeder<\/td>\nVentus<\/td>\nJulie E. Czerneda<\/td>\nChanging Vision<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJames Alan Gardner<\/td>\nHunted<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJack McDevitt<\/td>\nInfinity Beach<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJim Munroe<\/td>\nAngry Young Spaceman<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nAlastair Reynolds<\/td>\nRevelation Space<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nCalculating God<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJoan Slonczewski<\/td>\nBrain Plague<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMark W. Tiedemann<\/td>\nChimera<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMark W. Tiedemann<\/td>\nMirage<\/td>\n<\/tr>\n
1999<\/td>\nNeal Stephenson<\/td>\nCryptonomicon<\/td>\nDavid Brin<\/td>\nFoundation\u2019s Triumph<\/td>\n<\/tr>\n
 <\/td>\nVernor Vinge<\/td>\nA Deepness in the Sky<\/td>\nOrson Scott Card<\/td>\nEnder’s Shadow<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJo\u00ebl Champetier<\/td>\nThe Dragon’s Eye<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJulie E. Czerneda<\/td>\nTies of Power<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJames Alan Gardner<\/td>\nVigilant<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nFlashforward<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nPeter Watts<\/td>\nStarfish<\/td>\n<\/tr>\n
1998<\/td>\nRobert J. Sawyer<\/td>\nFactoring Humanity<\/td>\nGreg Bear<\/td>\nFoundation and Chaos<\/td>\n<\/tr>\n
 <\/td>\nRobert Charles Wilson<\/td>\nDarwinia<\/td>\nDavid Brin<\/td>\nHeaven’s Reach<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nA. C. Crispin & Ru Emerson<\/td>\nVoices of Chaos<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJulie E. Czerneda<\/td>\nBeholder\u2019s Eye<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJames Alan Gardner<\/td>\nCommitment Hour<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nNalo Hopkinson<\/td>\nBrown Girl in the Ring<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nScott Mackay<\/td>\nOutpost<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJack McDevitt<\/td>\nEternity Road<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMary Doria Russell<\/td>\nChildren of God<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nAlison Sinclair<\/td>\nCavalcade<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nConnie Willis<\/td>\nTo Say Nothing of the Dog<\/td>\n<\/tr>\n
1997<\/td>\nDan Simmons<\/td>\nThe Rise of Endymion<\/td>\nGregory Benford<\/td>\nFoundation\u2019s Fear<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nArthur C. Clarke<\/td>\n3001: The Final Odyssey<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJulie E. Czerneda<\/td>\nA Thousand Words for Stranger<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJames Alan Gardner<\/td>\nExpendable<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nIllegal Alien<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert Wright<\/td>\nA Scientific Romance<\/td>\n<\/tr>\n
1996<\/td>\nRobert J. Sawyer<\/td>\nStarplex<\/td>\nRoger MacBride Allen<\/td>\nUtopia<\/td>\n<\/tr>\n
 <\/td>\nOrson Scott Card<\/td>\nPastwatch<\/td>\nDavid Brin<\/td>\nInfinity\u2019s Shore<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nOrson Scott Card<\/td>\nChildren of the Mind<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nA. C. Crispin & T. Jackson King<\/td>\nAncestor\u2019s World<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nPeter F. Hamilton<\/td>\nThe Reality Dysfunction<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJack McDevitt<\/td>\nAncient Shores<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMaria Doria Russell<\/td>\nThe Sparrow<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDan Simmons<\/td>\nEndymion<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nAlison Sinclair<\/td>\nBlueheart<\/td>\n<\/tr>\n
1995<\/td>\nStephen Baxter<\/td>\nThe Time Ships<\/td>\nDavid Brin<\/td>\nBrightness Reef<\/td>\n<\/tr>\n
 <\/td>\nNeal Stephenson<\/td>\nThe Diamond Age<\/td>\nJulia Ecklar<\/td>\nReGenesis<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nThe Terminal Experiment<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nAlison Sinclair<\/td>\nLegacies<\/td>\n<\/tr>\n
1994<\/td>\nVonda N. McIntyre<\/td>\nNautilus<\/td>\nRoger MacBride Allen<\/td>\nInferno<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nA. C. Crispin & Kathleen O\u2019Malley<\/td>\nSilent Songs<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJames Patrick Kelly<\/td>\nWildlife<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nEnd of an Era<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nForeigner<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJules Verne<\/td>\nParis in the Twentieth Century<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert Charles Wilson<\/td>\nMysterium<\/td>\n<\/tr>\n
1993<\/td>\nIsaac Asimov<\/td>\nForward the Foundation<\/td>\nRoger MacBride Allen<\/td>\nCaliban<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nGreg Bear<\/td>\nMoving Mars<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nFossil Hunter<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJoan Slonczewski<\/td>\nDaughter of Elysium<\/td>\n<\/tr>\n
1992<\/td>\nNeal Stephenson<\/td>\nSnow Crash<\/td>\nBen Bova<\/td>\nMars<\/td>\n<\/tr>\n
 <\/td>\nVernor Vinge<\/td>\nA Fire Upon the Deep<\/td>\nA. C. Crispin & Deborah A. Marshall<\/td>\nSerpent\u2019s Gift<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nGreg Egan<\/td>\nQuarantine<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMaureen F. McHugh<\/td>\nChina Mountain Zhang<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nVonda N. McIntyre<\/td>\nMetaphase<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKim Stanley Robinson<\/td>\nRed Mars<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert J. Sawyer<\/td>\nFar-Seer<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nSean Stewart<\/td>\nPassion Play<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nConnie Willis<\/td>\nDoomsday Book<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert Charles Wilson<\/td>\nThe Harvest<\/td>\n<\/tr>\n
1991<\/td>\nOrson Scott Card<\/td>\nXenocide<\/td>\nA. C. Crispin & Jannean Elliott<\/td>\nShadow World<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nAlexander Jablokov<\/td>\nCarve the Sky<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nVonda N. McIntyre<\/td>\nTransition<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert Charles Wilson<\/td>\nA Bridge of Years<\/td>\n<\/tr>\n
1990<\/td>\nRobert J. Sawyer<\/td>\nGolden Fleece<\/td>\nIain M. Banks<\/td>\nUse of Weapons<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDavid Brin<\/td>\nEarth<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMichael Crichton<\/td>\nJurassic Park<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nA. C. Crispin & Kathleen O\u2019Malley<\/td>\nSilent Dances<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJames Morrow<\/td>\nCity of Truth<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert Silverberg<\/td>\nThe New Springtime<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDan Simmons<\/td>\nThe Fall of Hyperion<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert Charles Wilson<\/td>\nThe Divide<\/td>\n<\/tr>\n
1989<\/td>\nDan Simmons<\/td>\nHyperion<\/td>\nA. C. Crispin<\/td>\nStarBridge<\/td>\n<\/tr>\n
 <\/td>\nDave Duncan<\/td>\nWest of January<\/td>\nVonda N. McIntyre<\/td>\nStarfarers<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nGeoff Ryman<\/td>\nThe Child Garden<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJoan Slonczewski<\/td>\nThe Wall Around Eden<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nSheri S. Tepper<\/td>\nGrass<\/td>\n<\/tr>\n
1988<\/td>\nIain M. Banks<\/td>\nThe Player of Games<\/td>\nIsaac Asimov<\/td>\nPrelude to Foundation<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJack L. Chalker<\/td>\nMasks of the Martyrs<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKim Stanley Robinson<\/td>\nThe Gold Coast<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKim Stanley Robinson<\/td>\nPacific Edge<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert Silverberg<\/td>\nAt Winter\u2019s End<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nSheri S. Tepper<\/td>\nThe Gate to Women\u2019s Country<\/td>\n<\/tr>\n
1987<\/td>\nDavid Brin<\/td>\nThe Uplift War<\/td>\nIain M. Banks<\/td>\nConsider Phlebas<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJack L. Chalker<\/td>\nWarriors of the Storm<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJack L. Chalker<\/td>\nPirates of the Thunder<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nArthur C. Clarke<\/td>\n2061: Odyssey Three<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nMichael Crichton<\/td>\nSphere<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert Charles Wilson<\/td>\nMemory Wire<\/td>\n<\/tr>\n
1986<\/td>\nOrson Scott Card<\/td>\nSpeaker for the Dead<\/td>\nIsaac Asimov<\/td>\nFoundation and Earth<\/td>\n<\/tr>\n
 <\/td>\nJoan Slonczewski<\/td>\nA Door Into Ocean<\/td>\nJack L. Chalker<\/td>\nLords of the Middle Dark<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nArthur C. Clarke<\/td>\nThe Songs of Distant Earth<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nWayland Drew<\/td>\nThe Master of Norriya<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nClifford D. Simak<\/td>\nHighway of Eternity<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nVernor Vinge<\/td>\nMarooned in Realtime<\/td>\n<\/tr>\n
1985<\/td>\nOrson Scott Card<\/td>\nEnder’s Game<\/td>\nIsaac Asimov<\/td>\nRobots and Empire<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nGreg Bear<\/td>\nBlood Music<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nGreg Bear<\/td>\nEon<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDavid Brin<\/td>\nThe Postman<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nWayland Drew<\/td>\nThe Gaian Expedient<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nPhyllis Gotlieb<\/td>\nThe Kingdom of the Cats<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nFrank Herbert<\/td>\nChapterhouse: Dune<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nCrawford Kilian<\/td>\nBrother Jonathan<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nCarl Sagan<\/td>\nContact<\/td>\n<\/tr>\n
1984<\/td>\nKim Stanley Robinson<\/td>\nThe Wild Shore<\/td>\nDouglas Adams<\/td>\nSo Long, and Thanks for All the Fish<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDavid Brin<\/td>\nThe Practice Effect<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nWayland Drew<\/td>\nThe Memoirs of Alcheringia<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nSuzette Haden Elgin<\/td>\nNative Tongue<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nFrank Herbert<\/td>\nHeretics of Dune<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nWilliam Gibson<\/td>\nNeuromancer<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nVernor Vinge<\/td>\nThe Peace War<\/td>\n<\/tr>\n
1983<\/td>\nDavid Brin<\/td>\nStartide Rising<\/td>\nIsaac Asimov<\/td>\nThe Robots of Dawn<\/td>\n<\/tr>\n
1982<\/td>\nIsaac Asimov<\/td>\nFoundation\u2019s Edge<\/td>\nDouglas Adams<\/td>\nLife, the Universe and Everything<\/td>\n<\/tr>\n
 <\/td>\nArthur C. Clarke<\/td>\n2010: Odyssey Two<\/td>\nPhyllis Gotlieb<\/td>\nEmperor, Swords, Pentacles<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDonald Kingsbury<\/td>\nCourtship Rite<\/td>\n<\/tr>\n
1981<\/td>\nFrank Herbert<\/td>\nGod Emperor of Dune<\/td>\nJulian May<\/td>\nThe Many-Colored Land<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nClifford D. Simak<\/td>\nProject Pope<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nElisabeth Vonarburg<\/td>\nThe Silent City<\/td>\n<\/tr>\n
1980<\/td>\nDouglas Adams<\/td>\nThe Restaurant at the End of the Universe<\/td>\nGregory Benford<\/td>\nTimescape<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nDavid Brin<\/td>\nSundiver<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nPhyllis Gotlieb<\/td>\nA Judgment of Dragons<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJoan Slonczewski<\/td>\nStill Forms on Foxfield<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nGene Wolfe<\/td>\nThe Shadow of the Torturer<\/td>\n<\/tr>\n
1979<\/td>\nDouglas Adams<\/td>\nThe Hitch Hiker’s Guide to the Galaxy<\/td>\nArthur C. Clarke<\/td>\nThe Fountains of Paradise<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Varley<\/td>\nTitan<\/td>\n<\/tr>\n
1978<\/td>\nClifford D. Simak<\/td>\nMastodonia<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1977<\/td>\nFrederik Pohl<\/td>\nGateway<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1976<\/td>\nFrank Herbert<\/td>\nChildren of Dune<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1975<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1974<\/td>\nUrsula K. Le Guin<\/td>\nThe Dispossessed<\/td>\nJoe Haldeman<\/td>\nThe Forever War<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nNiven & Pournelle<\/td>\nThe Mote in God’s Eye<\/td>\n<\/tr>\n
1973<\/td>\nDavid Gerrold<\/td>\nThe Man Who Folded Himself<\/td>\nArthur C. Clarke<\/td>\nRendezvous With Rama<\/td>\n<\/tr>\n
1972<\/td>\nIsaac Asimov<\/td>\nThe Gods Themselves<\/td>\nJohn Brunner<\/td>\nThe Sheep Look Up<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nRobert Silverberg<\/td>\nDying Inside<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nArkady & Boris Strugatsky<\/td>\nRoadside Picnic<\/td>\n<\/tr>\n
1971<\/td>\nUrsula K. Le Guin<\/td>\nThe Lathe of Heaven<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1970<\/td>\nLarry Niven<\/td>\nRingworld<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1969<\/td>\nUrsula K. Le Guin<\/td>\nThe Left Hand of Darkness<\/td>\nMichael Crichton<\/td>\nThe Andromeda Strain<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nPhilip K. Dick<\/td>\nUBIK<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nFrank Herbert<\/td>\nDune Messiah<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nKurt Vonnegut, Jr.<\/td>\nSlaughterhouse-Five<\/td>\n<\/tr>\n
1968<\/td>\nArthur C. Clarke<\/td>\n2001: A Space Odyssey<\/td>\nPhilip K. Dick<\/td>\nDo Androids Dream of Electric Sheep?<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nAnne McCaffrey<\/td>\nDragonflight<\/td>\n<\/tr>\n
1967<\/td>\nUrsula K. Le Guin<\/td>\nCity of Illusions<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1966<\/td>\nUrsula K. Le Guin<\/td>\nRocannon’s World<\/td>\nRobert A Heinlein<\/td>\nThe Moon is a Harsh Mistress<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nUrsula K. Le Guin<\/td>\nPlanet of Exile<\/td>\n<\/tr>\n
1965<\/td>\nFrank Herbert<\/td>\nDune<\/td>\nPhilip K. Dick<\/td>\nThe Three Stigmata of Palmer Eldritch<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nClifford D. Simak<\/td>\nAll Flesh is Grass<\/td>\n<\/tr>\n
1964<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1963<\/td>\nClifford D. Simak<\/td>\nWay Station<\/td>\nKurt Vonnegut, Jr.<\/td>\nCat’s Cradle<\/td>\n<\/tr>\n
1962<\/td>\nPhilip K. Dick<\/td>\nThe Man in the High Castle<\/td>\nMadeline L’Engle<\/td>\nA Wrinkle in Time<\/td>\n<\/tr>\n
1961<\/td>\nHarry Harrison<\/td>\nThe Stainless Steel Rat<\/td>\nRobert A Heinlein<\/td>\nStranger in a Strange Land<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nStanislaw Lem<\/td>\nSolaris<\/td>\n<\/tr>\n
1960<\/td>\nWalter M. Miller, Jr.<\/td>\nA Canticle for Leibowitz<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1959<\/td>\nKurt Vonnegut, Jr.<\/td>\nThe Sirens of Titan<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1958<\/td>\nJames Blish<\/td>\nA Case of Conscience<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1957<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1956<\/td>\nAlfred Bester<\/td>\nThe Stars My Destination<\/td>\nIsaac Asimov<\/td>\nThe Naked Sun<\/td>\n<\/tr>\n
 <\/td>\nArthur C. Clarke<\/td>\nThe City and the Stars<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1955<\/td>\nIsaac Asimov<\/td>\nThe End Of Eternity<\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1954<\/td>\nArthur C. Clarke<\/td>\nChildhood’s End<\/td>\nRay Bradbury<\/td>\nFahrenheit 451<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nHal Clement<\/td>\nMission of Gravity<\/td>\n<\/tr>\n
1953<\/td>\nAlfred Bester<\/td>\nThe Demolished Man<\/td>\nIsaac Asimov<\/td>\nThe Caves of Steel<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nIsaac Asimov<\/td>\nSecond Foundation<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nTheodore Sturgeon<\/td>\nMore Than Human<\/td>\n<\/tr>\n
1952<\/td>\nClifford D. Simak<\/td>\nCity<\/td>\nIsaac Asimov<\/td>\nThe Currents of Space<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nIsaac Asimov<\/td>\nFoundation and Empire<\/td>\n<\/tr>\n
1951<\/td>\nIsaac Asimov<\/td>\nFoundation<\/td>\nIsaac Asimov<\/td>\nThe Stars, Like Dust<\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\nJohn Wyndham<\/td>\nThe Day of the Triffids<\/td>\n<\/tr>\n
1950<\/td>\nRay Bradbury<\/td>\nThe Martian Chronicles<\/td>\nIsaac Asimov<\/td>\nPebble in the Sky<\/td>\n<\/tr>\n
1949<\/td>\nGeorge Orwell<\/td>\nNineteen Eighty-Four<\/td>\n <\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Here’s an update to this list. I haven’t read any science fiction novels published in 2024 yet.   Winner Runner Ups Year Author Title Author Title 2023 Annalee Newitz The Terraformers Sue Burke Dual Memory       Mur Lafferty Chaos Terminal       Ann Leckie Translation State       Robert J. Sawyer […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[22],"tags":[7,42,28,8],"class_list":["post-23684","post","type-post","status-publish","format-standard","hentry","category-my-thoughts","tag-book","tag-lists","tag-novels","tag-science-fiction"],"_links":{"self":[{"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/posts\/23684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/comments?post=23684"}],"version-history":[{"count":2,"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/posts\/23684\/revisions"}],"predecessor-version":[{"id":23696,"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/posts\/23684\/revisions\/23696"}],"wp:attachment":[{"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/media?parent=23684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/categories?post=23684"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/tags?post=23684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}