{"id":9672,"date":"2016-10-17T22:10:42","date_gmt":"2016-10-18T02:10:42","guid":{"rendered":"http:\/\/www.davidmswitzer.com\/blog\/?p=9672"},"modified":"2016-10-25T22:25:17","modified_gmt":"2016-10-26T02:25:17","slug":"movie-composers-worth-listening-to-part-6","status":"publish","type":"post","link":"https:\/\/www.davidmswitzer.com\/blog\/2016\/10\/movie-composers-worth-listening-to-part-6\/","title":{"rendered":"Movie composers worth listening to, part 6"},"content":{"rendered":"<p>This list continues from <a href=\"http:\/\/www.davidmswitzer.com\/blog\/2016\/10\/movie-composers-worth-listening-to-part-5\/\">part 5<\/a>.<\/p>\n<h2>David Arnold<\/h2>\n<p>Arnold scored the 5 James Bond movies between <strong>Tomorrow Never Dies<\/strong> and <strong>Quantum of Solace<\/strong> &#8212; John Barry recommended him to the producers<strong>.<\/strong><\/p>\n<ul>\n<li>Casino Royale (2006)\n<ul>\n<li>African Rundown<\/li>\n<\/ul>\n<\/li>\n<li>Quantum of Solace\n<ul>\n<li>Time to Get Out<\/li>\n<\/ul>\n<\/li>\n<li>Sherlock (with Michael Price)\n<ul>\n<li>The Game Is On<\/li>\n<\/ul>\n<\/li>\n<li>Stargate\n<ul>\n<li>Stargate Overture<\/li>\n<\/ul>\n<\/li>\n<li>Tomorrow Never Dies\n<ul>\n<li>White Knight<\/li>\n<li>Company Car<\/li>\n<li>Surrender<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h2>Greg Edmonson<\/h2>\n<p>Edmonson&#8217;s music for Joss Whedon&#8217;s <strong>Firefly<\/strong> is absolutely delightful. He&#8217;s also written music for <strong>King of the Hill<\/strong>.<\/p>\n<ul>\n<li>Firefly\n<ul>\n<li>Big Bar Fight<\/li>\n<li>The Funeral<\/li>\n<li>Cows \/ New Dress \/ My Crew<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h2>Elliot Goldenthal<\/h2>\n<p>Goldenthal has been scoring movies since 1979. He has written music for several of his partner Julie Taymor&#8217;s films.<\/p>\n<ul>\n<li>Alien3\n<ul>\n<li>Lento<\/li>\n<li>Candles In The Wind<\/li>\n<li>Adagio<\/li>\n<\/ul>\n<\/li>\n<li>Batman Forever\n<ul>\n<li>Main Title<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h2>David Hirschfelder<\/h2>\n<p>Hirschfelder has a great relationship with Baz Luhrmann. The\u00a0<strong>Strictly Ballroom<\/strong> soundtrack is a mix of his pieces and songs by other artists &#8212; like &#8220;Perhaps Perhaps Perhaps&#8221; by Doris Day. Upcoming work includes <strong>A Street Cat Named Bob<\/strong> and <strong>Bound<\/strong>.<\/p>\n<ul>\n<li>Strictly Ballroom\n<ul>\n<li><em>The entire soundtrack, especially<\/em> La Cumparsita\/Tango Please<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h2>David Holmes<\/h2>\n<p>Holmes has a great relationship with Steven Soderbergh. His jazzy style works very well for the <strong>Ocean&#8217;s Eleven<\/strong> movies.<\/p>\n<ul>\n<li>Ocean&#8217;s Eleven\n<ul>\n<li>$160 Million Chinese Man<\/li>\n<\/ul>\n<\/li>\n<li>Ocean&#8217;s Twelve\n<ul>\n<li>\u00a07-29-04 The Day Of<\/li>\n<\/ul>\n<\/li>\n<li>Ocean&#8217;s Thirteen\n<ul>\n<li>Benedict Returns<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h2>James Newton Howard<\/h2>\n<p>Howard has a great relationship with\u00a0M. Night Shyamalan. Upcoming work includes <strong>Fantastic Beasts and Where to Find Them<\/strong>.<\/p>\n<ul>\n<li>Batman Begins (with Hans Zimmer)\n<ul>\n<li>Molossus<\/li>\n<\/ul>\n<\/li>\n<li>The Dark Knight (with Hans Zimmer)\n<ul>\n<li>Harvey Two-Face<\/li>\n<li>Agressive Expansion<\/li>\n<li>Like a Dog Chasing Cars<\/li>\n<\/ul>\n<\/li>\n<li>Dave\n<ul>\n<li>End Titles<\/li>\n<\/ul>\n<\/li>\n<li>Lady in the Winter\n<ul>\n<li>The Great Eatlon<\/li>\n<\/ul>\n<\/li>\n<li>Maleficent\n<ul>\n<li>Battle of the Moors<\/li>\n<\/ul>\n<\/li>\n<li>Salt\n<ul>\n<li>Chase Across DC<\/li>\n<\/ul>\n<\/li>\n<li>Snow White &amp; The Huntsman\n<ul>\n<li>Snow White<\/li>\n<\/ul>\n<\/li>\n<li>The Village\n<ul>\n<li>The Gravel Road<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h2>Henry Jackman<\/h2>\n<p>Jackman has a great relationship with Marvel and Disney. Upcoming work includes <strong>Jack Reacher: Never Go Back<\/strong> and <strong>Kong: Skull Island<\/strong>.<\/p>\n<ul>\n<li>Captain America: Civil War\n<ul>\n<li>Cap&#8217;s Promise<\/li>\n<\/ul>\n<\/li>\n<li>X-Men: First Class\n<ul>\n<li>First Class<\/li>\n<li>Magneto<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h2>Dario Marianelli<\/h2>\n<p>Marianelli typically has a gentle style. He has a great relationship with Joe Wright.<\/p>\n<ul>\n<li>Atonement\n<ul>\n<li>Atonement<\/li>\n<\/ul>\n<\/li>\n<li>Pride &amp; Prejudice (2005)\n<ul>\n<li>Dawn<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h2>Basil Poledouris<\/h2>\n<p>Poledouris is probably best known for his <strong>Conan the Barbarian<\/strong> soundtrack. He had a great relationship with John Milius and Paul Verhoeven.<\/p>\n<ul>\n<li>Quigley Down Under\n<ul>\n<li>Main Title<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h2>Stephen Warbeck<\/h2>\n<p>Warbeck has been scoring movies and TV shows since the 1990s. Upcoming work includes <strong>Timeless Eye<\/strong>.<\/p>\n<ul>\n<li>Shakespeare in Love\n<ul>\n<li>Main Title<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>This list continues from part 5. David Arnold Arnold scored the 5 James Bond movies between Tomorrow Never Dies and Quantum of Solace &#8212; John Barry recommended him to the producers. Casino Royale (2006) African Rundown Quantum of Solace Time to Get Out Sherlock (with Michael Price) The Game Is On Stargate Stargate Overture Tomorrow [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[22],"tags":[42,13,72],"class_list":["post-9672","post","type-post","status-publish","format-standard","hentry","category-my-thoughts","tag-lists","tag-music","tag-soundtracks"],"_links":{"self":[{"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/posts\/9672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/comments?post=9672"}],"version-history":[{"count":13,"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/posts\/9672\/revisions"}],"predecessor-version":[{"id":9773,"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/posts\/9672\/revisions\/9773"}],"wp:attachment":[{"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/media?parent=9672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/categories?post=9672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.davidmswitzer.com\/blog\/wp-json\/wp\/v2\/tags?post=9672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}